100 Landscapes

Elaine’s #15 Colorado Sunset (first Pastel)

captelaine — Sun, 22 Jan 2012 14:12:47 +0000

This is my very first Pastel painting, using PanPastels. It is on MiTienes paper size 11×14 I did this for a Challenge on the ID&P forum. Wish I’d had a brighter yellow and an orange as well as a violet… (more colors needed I see)… but over all I’m not too disappointed with my first attempt at pastels.

Elaine’s number 14 – A view of a Marsh

captelaine — Sun, 21 Aug 2011 15:39:53 +0000

Low Country Marsh

Watercolor marsh… my office is across the street from a marsh area, so that I get to see the marsh and the birds every day… this marsh is based on that marsh… I was going to put an egret in this one, but didn’t leave a spot for it… next time I’ll add an egret or two.

Elaine’s number lucky 13

captelaine — Tue, 19 Jul 2011 00:40:11 +0000

Elaine's #13

The shapes on this one were easy wedges… big swipes of color with a big flat brush with detail added after the initial wash dried. This painting is one of the exercises in a WetCanvas online class I’m taking.

Daffodils in the Rain

judybecklobos — Wed, 11 May 2011 17:40:20 +0000

40 – and moving along

caseytoussaint — Wed, 04 May 2011 08:01:10 +0000

I’ve actually been painting lately, even though I’ve been mostly absent from the internet. Trouble is, painting has not been going well for me in 2011. I’m trying to paint my way through this bad patch though. I’ve joined Matthew Archambaut’s Painting Tutorials Online to try to improve my technique. Matthew is an illustrator, and works in a very tight style which doesn’t correspond to my lazy and careless personality much, but I’ve been trying to apply myself. Following are some small studies done from reference photos supplied on his site. I was unable to make myself do an accurate underdrawing and underpainting – I just plowed in and refined as much as I could. I think the Model T came out surprisingly well considering my sloppy approach, but I’m not thrilled with the other 2. The point of these was the palette used. Here is one with a warm palette, one with a cool palette, one with a “broken palette” (basically 2 complementary colors – here I used blue and orange, apparently red and green work well too). Of course I cheated, adding yellow to obtain the green leaves. I loved using the warm palette, didn`t really like the cool palette and hated the broken palette. I think the results reflect that.

I also did one more version of that Loire scene – really that will be the very last one from that particular photo. There will be more of the Loire since I live a stone’s throw away from it though. I followed Jill’s idea and cut out that damned island this time – it was the major problem in my composition. This is also tiny. I haven’t had the nerve to work on a big canvas lately, but working so small creates other problems. This was extremely difficult to control, and I didn’t really get it.

And as I had a lot of leftover paint after that one, I did a quick sketch based on a photo I took from my studio one evening last fall. This took no more than 20 minutes and the colors are all wrong but I’m counting it because how else will I ever get to 100??? I may turn it into a painting at some point, but I’m not sure.

44!!!

Beach Palmetto Trees – Elaine’s #12

captelaine — Wed, 27 Apr 2011 00:15:45 +0000

I messed up the clouds and sky on this one… so I just cropped the sky out of this… is that cheating?

Palmetto Trees on the Beach

Two quick oil studies from the same reference

caseytoussaint — Fri, 15 Apr 2011 08:03:33 +0000

I haven`t been doing much painting since getting stuck on N° 37 (below). I hated that painting but could not work out what was wrong with it. The more I worked on it the deeper I dug myself into a hole, but I was like a dog with a bone and just would not let it go! I tried changing the shape of the canvas (and a friend pointed out that I had unconsciously changed the poplar trees into pine trees – I have no idea where they came from!) I have finally decided to move on and paint over my second attempt. I`ve been working from a reference photo that just doesn’t have enough information and I don’t have the skill level to pull off a large painting with my imagination. Anyway, to put this thing to rest I did two small oil studies yesterday working with a limited palette of blue and yellow, plus a little pre-mixed grey and white. In one I kept to a warmer mix of colors, using cerulean, and in the other I tried to keep things cool, with a touch of alizarin in the blue. The underpainting shows through in both of them. I may play around with another study combining the two color strings since they are already mixed up, but I will not be doing a large painting. When I started this landscape series, the plan was to quickly do a whole lot of small studies, but I let myself get bogged down by being overly ambitious. I really hope to pull myself out of this slump and get working again.

Here’s my reference photo, followed by the latest landscapes – 38 and 39. If you’d like to use the reference and paint one yourself, please feel free to do so.

Elaine’s #11 – Lavender field.

captelaine — Sat, 09 Apr 2011 02:12:05 +0000

Lavender field

This is a watercolor on 9×12 Arches 140 lbs rough paper. I’m not particularly happy with the foreground, nor the lavender rows on the right… too much purple it’s just a bit overwhelming… but an interesting exercise none the less.

Sumie inspired landscapes

judybecklobos — Mon, 07 Mar 2011 01:25:23 +0000

I’ve decided to get back to this landscape project. I’ve thought about it for a while, but just couldn’t get moving. I REALLY want to complete the 100 landscapes I promised myself. With spring coming, I hope you all are getting motivated too — I miss seeing all the lovely landscapes on this blog!

These 8×10 landscapes on watercolor paper are taking advantage of the sub zero temperatures we’ve had here in Pennsylvania this winter.

I first wet the paper thoroughly and then add the paint. The paintings are placed outside in a protected area on my deck to dry. The best days are extra cold and dry. As the painting dries, ice crystals form on the paper. It doesn’t always work, but when it does, the crystal patterns are so exciting! I’ll then decide what to keep and what to paint over.

# 33, 34, 35, 36 and 37….A reason to love winter!

“The color of springtime is in the flowers, the color of winter is in the imagination.” ~Quote by Terri Guillemets

Hope to see more paintings here soon!!!

Marsh – Elaine’s into double digits now… #10

captelaine — Sat, 29 Jan 2011 22:55:58 +0000

Elaine's #10 a Marsh

This is the other painting I did in Helen Beecham’s class. I saw a painting like this on the internet, unfortunately I do not remember the name of the artist (if you recognize this as similar to a work of yours, please let me know and I will give you credit). So this is a copy, not an original… I’ve actually tried to reproduce what I remembered about the original painting several times… but this time I think I captured the look that I liked so much, so of abstract and dream like quality to the marsh. It is on 300 lbs paper size is 11×14.